資料來源: Google Book

Indefinite visions :cinema and the attractions of uncertainty

  • 其他作者: Beugnet, Martine, , Cameron, Allan, , Fetveit, Arild,
  • 出版:
  • 稽核項: xv, 363 pages :illustrations (some color) ;25 cm.
  • 叢書名: Edinburgh studies in film and intermediality
  • 標題: Motion pictures , Motion pictures Aesthetics. , Aesthetics.
  • ISBN: 1474407145 , 9781474407144
  • ISBN: 9781474407137 , 9781474407151
  • 附註: "The asterisked chapters have been translated from the French by Elise Harris with Martine Beugnet"--Contents page. Includes bibliographical references and index. Introduction / Martine Beugnet -- Illuminations. The veiled image: the luminous formless / Jacques Aumont -- The black screen / Richard Misek -- Flicker and shutter: exploring cinema's shuddering shadow / Tom Gunning -- Definitions. One hundred years of low definition / Erika Balsom -- Genres of blur / Martin Joy -- In praise of the sound dissolve: evanescences, uncertainties, fusions, resonances / Giusy Pisano -- Frames. Jumps in scale / Michel Chion -- Reflecting on reflections: cinema's complex mirror shots / Julian Hanich -- Cinematic indeterminacy according to Peter Tscherkassky: coming attractions / Christa Blümlinger -- Partying the Great Gatsby: Baz Luhrmann's audiovisual sublime / Carol Vernallis -- Temporalities. The force of small gestures / D.N. Rodowick -- Bill Viola and the cinema of indefinite bodily experience / Kriss Ravetto-Biagioli -- Slow looking: confronting moving images with Georges Didi-Huberman / Catherine Fowler -- Materialities. (Re)visioning celluloid: aesthetics of contact in materialist film / Kim Knowles -- Seeing through the fingertips / Emmanuelle André -- Homo animalis kino / Raymond Bellour -- Glitches. Temporalities of the glitch: Déjà Vu / Sean Cubitt -- The glitch dimension: Paranormal Activity and the technologies of vision / Steven Shaviro -- Facing the glitch: abstraction, abjection and digital image / Allan CAmeron -- Index.
  • 系統號: 005280518
  • 資料類型: 圖書
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  • 引用網址: 複製連結
Moving image culture seems to privilege the instantly identifiable: the recognisable face, the well-timed stunt, the perfectly synchronised line of dialogue. Yet perfect, in-focus visibility does not come naturally to the moving image. Pursuing a range of approaches (from aesthetics to phenomenology to production studies), the authors in this volume actively explore moving images in states of decay, distortion, indistinctness and fragmentation, while drawing upon key theoretical themes including affect, embodiment, visual signification and 'legibility'.
來源: Google Book
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