資料來源: Google Book
Celluloid jukebox :popular music and the movies since the 50s
- 其他作者: Romney, Jonathan. , Wootton, Adrian. , British Film Institute.
- 出版: London : British Film Institute 1995.
- 稽核項: vii, 168 p. :ill. (some col.), ports. (some col.) ;23 cm.
- 標題: Motion picture music , History and criticism. , Popular music , Popular music History and criticism. , Motion picture music History and criticism. , Cinema Films (Motion pictures) Music
- ISBN: 0851705073 , 9780851705071
- 附註: Filmography: p. 148-167. Bibliography: p. 168.
- 系統號: 005180420
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Robert de Niro cruising into a Little Italy bar to the sound of the Stones in Mean Streets; Vietnam 'copter blades swirling to The Doors' "The End" in Apocalypse Now; Public Enemy booming out the inner city soundtrack of Spike Lee's Do the Right Thing. From Bill Haley to gangsta rap, through Elvis, the Beatles and blaxploitation, cinema's affair with popular music has provided nearly 50 years' worth of movies and music stored up on celluloid, video, vinyl, and CD, giving us access to a collective jukebox of sounds and visions. In Celluloid Jukebox, leading critics, filmmakers and musicians examine the state of the pop cinema past, present, and future. Biopics, British pop movies, blaxploitation and rap, underground movies, backstage moments, and the records that think they're movies--all come under scrutiny in a wide-ranging and provocative set of essays. Interviews with Quentin Tarantino, David Byrne, Penelope Spheeris, Ry Cooder, and Wim Wenders complete this essential study of popular music on film. Robert de Niro cruising into a Little Italy bar to the sound of the Stones in Mean Streets; Vietnam 'copter blades swirling to The Doors' "The End" in Apocalypse Now; Public Enemy booming out the inner city soundtrack of Spike Lee's Do the Right Thing. From Bill Haley to gangsta rap, through Elvis, the Beatles and blaxploitation, cinema's affair with popular music has provided nearly 50 years' worth of movies and music stored up on celluloid, video, vinyl, and CD, giving us access to a collective jukebox of sounds and visions. In Celluloid Jukebox, leading critics, filmmakers and musicians examine the state of the pop cinema past, present, and future. Biopics, British pop movies, blaxploitation and rap, underground movies, backstage moments, and the records that think they're movies--all come under scrutiny in a wide-ranging and provocative set of essays. Interviews with Quentin Tarantino, David Byrne, Penelope Spheeris, Ry Cooder, and Wim Wenders complete this essential study of popular music on film.
來源: Google Book
來源: Google Book
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