資料來源: Google Book

Current directions in computer music research

  • 其他作者: Mathews, Max V. , Pierce, John Robinson,
  • 出版: Cambridge, Mass. : MIT Press c1989.
  • 稽核項: vi, 432 p. :ill. ;24 cm.
  • 叢書名: System Development Foundation benchmark series ;2
  • 標題: History and criticism. , Computer music History and criticism. , Computer music
  • ISBN: 0262132419 , 9780262132411
  • 附註: Includes bibliographies and index. Introduction / John R. Pierce -- Compositional applications of linear predictive coding / Paul Lansky -- On Speech songs / Charles Dodge -- Synthesis of the singing voice / Gerald Bennett and Xavier Rodet -- Synthesis of singing by rule / Johan Sundberg -- Frequency modulation synthesis of the singing voice / John M. Chowning -- Spatial reverberation : discussion and demonstration / Gary S. Kendall, William L. Martens, and Shawn L. Decker -- Spatialization of sounds over loudspeakers / F. Richard Moore -- Fourier-transform-based timbral manipulations / Mark Dolson -- VLSI models for sound synthesis / John Wawrzynek -- Paradoxical sounds / Jean-Claude Risset -- Additive synthesis of inharmonic tones / Jean-Claude Risset. The Bohlen-Pierce scale / Max V. Mathews and John R. Pierce -- Residues and summation tones : what do we hear? / John R. Pierce -- Simulating performance on a bowed instrument / Chris Chafe -- Automatic counterpoint / William Schottstaedt -- A computer music language / William Schottstaedt -- Real-time scheduling and computer accompaniment / Roger Dannenberg -- The conductor program and mechanical baton / Max V. Mathews -- Zivatar : a performance system / Janos Negyesy and Lee Ray -- Composing with computers : a survey of some compositional formalisms and music programming languages / Gareth Loy.
  • 系統號: 005179481
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
These 21 original contributions by composers, behavioral scientists, engineers, and other specialists from many of the international centers of research in computer music provide an inside report on the most sophisticated aspects of digital synthesis, control and understanding of musical sound, and related work on perception.
來源: Google Book
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