This book places the work of Edward Gordon Craig within the context of the European avant-garde and the broader framework of performance and Modernity. Through a detailed study of the journal The Mask Craig is contextualised and theorised in terms of his contemporaries, his historical precedents and in terms of the legacy he has left for succeeding generations of theatre experimenters. Since Craig was often preoccupied with creating a 'theory' of performance rather than working on specific productions, The Mask provided him with a metaphorical and physical stage for the manifesto-like character of his writings. It also helps shed light on some of the contradictory aspects of Craigian thought.
來源: Google Book