資料來源: Google Book
Beyond golden clouds :Japanese screens from the Art Institute of Chicago and the Saint Louis Art Museum
- 其他作者: Katz, Janice. , Hu, Philip K. , Cranston, Fumiko E. , Art Institute of Chicago. , St. Louis Art Museum.
- 出版: Chicago, Ill. :St. Louis, Mo. :New Haven, Conn. : Art Institute of Chicago ;Saint Louis Art Museum ;Yale University Press [distributor] c2009.
- 版本: 1st ed.
- 稽核項: 216 p. :ill. (some col.) ;26 x 30 cm.
- 標題: Screens , St. Louis Art Museum , Screens Japan -- Exhibitions. , Wandschirm , Screens Illinois -- Chicago -- Exhibitions. , Screen painting, Japanese Exhibitions. , Screen painting, Japanese , St. Louis Art Museum Exhibitions. , Geschichte , Art Institute of Chicago Exhibitions. , Art Institute of Chicago , Japan , Screens Missouri -- Saint Louis -- Exhibitions.
- ISBN: 0865592322 , 9780865592322
- 附註: Includes bibliographical references (p. 204-210) and index. "Published in conjunction with an exhibition presented under the same title at the Art Institute of Chicago from June 26 to September 27, 2009, and at the Saint Louis Art Museum as 'Five centuries of Japanese screens : masterpieces from the Saint Louis Art Museum and the Art Institute of Chicago' from October 18, 2009, to January 3, 2010"--T.p. verso. Hidden Behind History: Revealing Moments in the Evolution of Japanese Folding Screens / Janice Katz -- Tosa Mitsuoki's Screens of Flowering Cherry and Autumn Maples with Poem Slips in the Context of Kazari and Tsukuri / Tamamushi Satoko -- Translations of the Waka Poems on Tosa Mitsuoki's Flowering Cherry and Autumn Maples with Poem Slips / Fumiko E. Cranston -- Sail Returning from Distant Shore: Chinese Themes and Styles on Japanese Folding Screens / Philip K. Hu -- Screen Projections: Modern and Contemporary Byobu / Alicia Volk -- Catalogue of the Exhibition.
- 系統號: 005020479
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
"Folding screens, known as byōbu in Japanese, are treasures within any museum's collection and are beloved by the general public. This beautiful publication brings together the very finest screens from the world-renowned collections of the Art Institute of Chicago and the Saint Louis Art Museum. The featured works range from an extraordinary pair of landscapes by Sesson Shūkei, a Zen-Buddhist monk-painter of the late sixteenth century, to daring works from the late twentieth century. The first half of the Edo period is especially well represented, with a dozen screens from the seventeenth century by Kaihō Yūshō and Tosa Mitsuoki, among other masters. Beyond Golden Clouds also discusses the contemporary scene, with ten examples from the twentieth century proving the longevity of this art form and its currency among modern-day artists. Enlightening essays by important scholars in the field cover topics including the emergence of screens as an art form and a novel discussion of the relationship of Japanese screens to those made in other countries." --
來源: Google Book
來源: Google Book
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