附註:Papers of international symposium on Asia music 1979.
Including bibliography.
1, The background of the birth of Taiwan's new music--2, The tonal features of the Chinese language--3, Taiwan aborigines' system of tones--4, modern significance of Confucian music thought--5, How pi-pa became Chinese in performing skills after it was brought to China--6, Chinese music's inner content and evolutionery changes--7, Tonal characteristics of Chinese folksongs--8, The Chinese concept of program music--9, The cultural traditions and value of Chinese music--10, Tone color of the cheng-the Chinese 16-stringed zither.
