Studies in the printing, publishing, and performance of music in the 16th century
- 作者: Boorman, Stanley,
- 出版: Burlington, VT : Ashgate 2005.
- 稽核項: 1 v. (various pagings) :ill. ;24 cm.
- 叢書名: Variorum collected studies series
- 標題: Music printing , Performance practice (Music) , Music publishing , Music publishing History -- 16th century. , Music printing History -- 16th century. , Performance practice (Music) 16th century. , History
- ISBN: 0860789705 , 9780860789703
- 附註: 94年度教育部「建構圖書館多元館藏曁服務品質提升計畫」購藏. Includes bibliographical references and indexes. The "first" edition of the Odhecaton A -- Petrucci's type-setters and the process of stemmatics -- A case of work and turn half-sheet imposition in the early sixteenth century -- Printed music books of the Italian Renaissance from the point of view of manuscript study -- The Salzburg liturgy and single-impression music printing -- Early music printing : working for a specialized market -- Some non-conflicting attributions, and some newly anonymous compositions, from the early sixteenth century -- The music publisher's view of his public's abilities and taste : Venice and Antwerp -- Notational spelling and scribal habit -- False relations and the cadence -- Two aspects of performance practice in the Sistine Chapel of the early sixteenth century.
- 系統號: 005199996
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
This series of close studies of the structure and content of 16th-century and early 17th-century editions (and some manuscripts) of music draws conclusions in a number of areas, including printing techniques, publishers' approaches to the musical market, and questions of authorship.
來源: Google Book
來源: Google Book
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