After modern art :1945-2000
- 作者: Hopkins, David,
- 出版: Oxford ;New York : Oxford University Press 2000.
- 稽核項: 282 p. :ill. (some col.) ;24 cm.
- 叢書名: Oxford history of art
- 標題: Arte europeo , Art, American 20th century. , Arte americano Siglo XX. , 7.150. , Art, American , Arte europeo Siglo XX. , Art, European 20th century. , 4. , Visual arts. , Modernisme (cultuur) , Art, European , Art amaericain , Art europaeen , Art amaericain 20e siaecle. , Art europaeen 20e siaecle. , Arte americano
- ISBN: 0192842811 , 9780192842817
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p. 252-258) and index. The politics of Modernism: Abstract Expressionism and the European informel -- Duchamp's legacy: the Rauschenberg-Johns axis -- The artist in crisis: from Bacon to Beuys -- Blurring boundaries: Pop art, Fluxus, and their effects -- Modernism in retreat: Minimalist aesthetics and beyond -- The death of the object: the move to Conceptualism -- Postmodernism: theory and practice in the 1980s -- Into the 1990s.
- 摘要: Modern and contemporary art can be both baffling and beautiful, it can also be innovative, political, and disturbing. Closely informed by critical approaches, this book sets out to provide the first concise interpretation of this period. Jackson Pollock, Andy Warhol, Cindy Sherman, and Damien Hirst are among many artists discussed, within the political and cultural worlds they inhabited. The theoretical and issue-based debates that have driven the art of this period art along are followed through the key movements of Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism. This book is intended as an introduction to art in the latter half of the 20th Century for students and the general reader interested in modern and contemporary art.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/enhancements/fy0610/00036750-d.html https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/enhancements/fy0610/00036750-t.html
- 系統號: 005199960
- 資料類型: 圖書
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- 引用網址: 複製連結
Modern and contemporary art can be both baffling and beautiful; it can also be innovative, political, and disturbing. This book sets out to provide the first concise interpretation of the period as a whole, clarifying the artists and their works along the way. Closely informed by new critical approaches, it concentrates on the relationship between American and European art from the end of the Second World War to the eve of the new millennium. Jackson Pollock, Jasper Johns, Yves Klein, Andy Warhol, Louise Bourgeois, Cindy Sherman, and Damien Hirst are among many artists discussed, with careful attention being given to the political and cultural worlds they inhabited. Moving along a clear timeline, the author highlights key movements such as Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and performance art to explain the theoretical and issue-based debates that have provided the engine for the art of this period.
來源: Google Book
來源: Google Book
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