A history of pianoforte pedalling
- 作者: Rowland, David,
- 出版: Cambridge [England] ;New York : Cambridge University Press 2004.
- 版本: 1st pbk. ed.
- 稽核項: viii, 194 p. :ill., music ;25 cm.
- 叢書名: Cambridge musical texts and monographs
- 標題: Piano Performance -- History. , PedalingHistory. , Piano Pedaling -- History. , Pianos History , PerformanceHistory. , Piano
- ISBN: 0521607515 , 9780521607513
- 附註: "First published in 1993"--T.p. verso. Includes bibliographical references (p. 187-190) and index. The transition from the harpsichord and clavichord to the piano -- Stops, levers and pedals -- Documentary accounts of early pedalling -- Early techniques of the pedals as described in tutors -- Early pedal markings -- Mozart and his contemporaries -- The emergence of modern pedalling -- The sustaining pedal after c.1800 -- Other pedals from c.1800 -- J.P. Milchmeyer, Die wahre Art das Pianoforte zu spielen. Chapter 5 (Dresden 1797) -- Louis Adam, Maethode de piano du Conservatoire, Chapter 10: The manner of using the pedals (Paris 1804) -- Daniel Steibelt, Maethode de piano (Paris and Leipig 1809).
- 系統號: 005203055
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
David Rowland traces the history of piano pedaling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedaling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin and follows the transition from harpsichord and clavichord to piano. The book also includes an appendix of translated extracts from three well-known piano-pedaling tutors.
來源: Google Book
來源: Google Book
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