Reading opera between the lines :orchestral interludes and cultural meaning from Wagner to Berg
- 作者: Morris, Christopher,
- 出版: Cambridge ;New York : Cambridge University Press 2002.
- 稽核項: xi, 219 p. :ill. ;24 cm.
- 叢書名: New perspectives in music history and criticism
- 標題: History and criticism. , Philosophy and aesthetics. , Opera. , Music , Music Philosophy and aesthetics. , Entr'acte music , Entr'acte music History and criticism.
- ISBN: 0521807387 , 9780521807388
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p. 208-215) and index.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/description/cam022/2001043313.html https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/cam024/2001043313.html
- 系統號: 005203432
- 資料類型: 圖書
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- 引用網址: 複製連結
A characteristic feature of Wagnerian and post-Wagnerian opera is the tendency to link scenes with numerous and often surprisingly lengthy orchestral interludes, frequently performed with the curtain closed. Often taken for granted or treated as a filler by audiences and critics, these interludes can take on very prominent roles, representing dream sequences, journeys and sexual encounters. Combining studies of individual musical texts with an investigation of the critical discourse surrounding the operas, Christopher Morris investigates the implications of these important but strangely overlooked passages.
來源: Google Book
來源: Google Book
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