資料來源: Google Book
Music theory in the age of Romanticism
- 其他作者: Bent, Ian,
- 出版: Cambridge ;New York : Cambridge University Press 2005.
- 稽核項: xvi, 239 p. :ill. ;26 cm.
- 標題: Musical criticism History -- 19th century. , Music theory History -- 19th century. , Critique musicale Histoire -- 19e siaecle , Critique musicale , Histoire , Romanticism in music. , Music Romanticism History , Music theory , Musical criticism , Romantisme dans la musique , Thaeorie musicale , Thaeorie musicale Histoire -- 19e siaecle , History
- ISBN: 0521020085 , 9780521020084
- 試查全文@TNUA:
- 附註: Includes bibliographical references. The mechanics of sensation and the construction of the romantic musical experience / Leslie David Blasius -- F.W.J. Schelling's Philosophie der Kunst : an emergent semiology of music / Ian Biddle -- Faetis and emerging tonal consciousness / Thomas Christensen -- Romantic music under siege in 1848 / Sanna Pederson -- Second immediacies in the Eroica / Brian Hyer -- Plato-Beethoven : a hermeneutics for nineteenth-century music? / Ian Bent -- Intersubjectivity and analysis : Schumann's essay on the Fantastic symphony / Fred Everett Maus -- The concept of daeveloppement in the early nineteenth century / Peter A. Hoyt -- A.B. Marx and the gendering of sonata form / Scott Burnham -- --wie ein rother Faden : on the origins of Leitmotif as critical construct and musical practice / Thomas Grey -- Musical invariance as a cognitive structure : "multiple meaning" in the early nineteenth century / Janna K. Saslaw and James P. Walsh.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/cam023/95038562.html https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/description/cam027/95038562.html
- 系統號: 005203085
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Twelve authors probe the mind of the Romantic era in its thinking about music. They provide a searching examination of writings by music theorists, critics, aestheticians, philosophers, and commentators from 1800 to 1875. In doing so, they wield new critical tools as well as old, casting fresh light, for example, on familiar problems of musical form by inspecting eighteenth-century rhetoric and nineteenth-century gendered discourse; exploring Schubertian modulation and Wagnerian motif with the insights of cognitive science; reinterpreting pianistic finger exercise by way of Michel Foucault and Frankenstein and so on. The impact of Hegel and Schelling on music theory occupies an important place, as does Schleiermacher's hermeneutics on analysis and criticism. The brilliant group of young historians of theory, represented here, provides an array of approaches, from detailed music analysis, through close reading of texts, through critical discourse, to philosophical enquiry.
來源: Google Book
來源: Google Book
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