This book is a detailed study of the recordings and approach to performance of the Canadian pianist, broadcaster, writer, and composer Glenn Gould (1932-82). While focusing primarily on his extraordinary recorded performances, Kevin Bazzana also situates Gould's work and thought within broader musical, cultural, and historical contexts. Drawing on a wide range of Gould recordings and related literature, the book is divided into two parts: the first exploring Gould's aesthetic premises, the second discussing characteristic features of his piano style. The book is illustrated with graphic musical examples and plates.
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