This is the most complete volume available on the work of this major British artist. Meadows was for many years the studio assistant of Henry Moore. He first attracted international attention at the 1952 Venice Biennale when his work was exhibited in the British Pavilion, which brought to attention a new style in post-war British sculpture. This collection of the major pieces of sculpture and related drawings spans Meadows's early obsession with fear, in his depiction of frightened birds and frightening animals, to the more sensuous, erotic mood of the work of the late seventies and early eighties.
來源: Google Book