資料來源: Google Book
Shakespeare's stage traffic :imitation, borrowing and competition in Renaissance theatre
- 作者: Clare, Janet,
- 出版:
- 稽核項: xi, 305 pages ;24 cm.
- 標題: History and criticism. , Criticism and interpretation. , English drama , English drama Early modern and Elizabethan, 1500-1600 -- History and criticism. , Influence (Literary, artistic, etc.) , Imitation in literature. , Shakespeare, William, , Shakespeare, William, 1564-1616 Criticism and interpretation.
- ISBN: 1107040035 , 9781107040038
- 試查全文@TNUA:
- 附註: 103年科技部補助人文及社會科學研究圖書設備計畫規畫主題:藝術學:全球化與劇場跨界 Includes bibliographical references (pages 268-294) and index. Machine generated contents note: Introduction; 1. Troublesome reigns; 2. Deposing kings; 3. Cross-cultural comedy; 4. Competing dramaturgies: later comedy; 5. Medley history; 6. Hamlet and the 'humour of children'; 7. Conversion: from Elizabethan to Jacobean theatre; 8. Generic transformations; Afterword.
- 摘要: "Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he moulded and converted them to his own use. The book challenges the critical stance that views the Shakespeare canon as essentially self-contained, moves beyond the limitations of generic studies and argues for a more conjoined critical study of early modern plays. Each chapter focuses on specific plays and examines the networks of influence, exchange and competition which characterised stage traffic between playwrights, including Marlowe, Jonson and Fletcher. Overall, the book addresses multiple perspectives relating to authorship and text, performance and reception"--
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- 系統號: 005021339
- 資料類型: 圖書
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- 引用網址: 複製連結
Contesting the notion of Shakespeare as originator, Clare demonstrates how Shakespeare adapted, imitated and borrowed from the work of others.
來源: Google Book
來源: Google Book
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