資料來源: iRead

Contemporary American-Chinese film co-production

  • 作者: Yin, Lu.
  • 其他作者: Southern Methodist University.
  • 出版: Ann Arbor, MI : UMI :ProQuest 2011, 2010.
  • 稽核項: 135 p. ;22 cm.
  • 附註: Adviser: Kevin Heffernan. "UMI Number: 1483510"--T.p. verso. 102年國科會補助人文及社會科學研究圖書設備計畫主題:藝術學:華語電影研究. Thesis (M.A. in Cinema-Television)--S.M.U., 2010. Includes bibliographical references.
  • 摘要: This thesis examines American-Chinese film co-production in the new millennium. It is the aim of this work to show that such a product of globalization in film industry is actually brought by the internationalization in many industries around the world in the new world economy, and is one of the trends of future developments of global movie industry. Both the relationship between the US film industry and the Chinese film industry and co-productions between the two are continuously affected by the relationship between the governments and economic activity generally, the specific relationship between the governments and their national film industries, and the negotiations of business practices, aesthetic norms, and conceptions of national identity which all must be negotiated for a coproduction to be successful. , The thesis paints a general landscape of the international film industry, especially between the Chinese movie market and Hollywood. This landscape forms the backdrop for understanding both China and America's willingness to collaborate. Hollywood's business model is one of efficiency and access to markets. The Chinese film industry, on the other hand, has only recently emerged from a long period of state ownership and control. Since 1979, economic reforms have increased private ownership in the Chinese film industry have made possible a massive modernization and professionalization of the industry. In the contemporary period, co-productions between Hollywood and China show a complex and reciprocal series of negotiations of division of labor, finance, government regulation, and popular taste. Two co-productions, Big Shot's Funeral (2001) and The Mummy: Tomb of the Dragon Emperor (2007) illustrate how these negotiations take place. The thesis reaches the conclusion that American Chinese film co-production will become more and more popular as it represents a bright future of both American and Chinese film industries.
  • 系統號: 005209613
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
本書選錄的七篇短篇小說,一方面延續《夜集》中略帶感傷的都市感受性的文風,一方面加入帶有迷幻奇異色彩的新風格,人物情節上或有延續,或無關聯,但又能各自成為一個平行世界,書寫方式亦由較純粹的獨白,轉為更多元的角色對話,讓讀者在閱讀上富有挑戰性和新鮮感。
來源: iRead
阿法@fa本名翁紹凱,台大中文系畢業。曾獲時報文學獎,國軍金獅獎,曾出版《迷彩服美少女戰士》(開心陽光),《解開愛情的四色鈕扣》(華文網),《百貨公司綁架愛情故事》(大地,合著)。
來源: iRead
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