Music, power, and politics
- 其他作者: Randall, Annie Janeiro.
- 出版: New York : Routledge 2005.
- 稽核項: viii, 286 p. :ill. ;24 cm.
- 標題: Popular music , Aspect social. , Folk music Social aspects. , Popular music Social aspects. , Musique folklorique Aspect social. , Musique populaire Aspect social. , Social aspects. , Musique folklorique , Folk music , Musique populaire
- ISBN: 0415943647 , 9780415943642
- 試查全文@TNUA:
- 附註: Includes bibliographical references and index. A censorship of forgetting : origins and origin myths of Battle hymn of the republic / Annie J. Randall -- Discipline and choralism : the birth of musical colonialism / Grant Olwage -- Power needs names : hegemony, folklorization, and the viejitos dance of Michoacaan, Mexico / Ruth Hellier-Tinoco -- The power to influence minds : German folk music during the Nazi era and after / Britta Sweers -- The making of a national musical icon : Xian Xinghai and his Yellow River cantata / Hon-Lun Yang -- Dancing for the eternal president / Keith Howard -- The power of recently revitalized Serbian rural folk music in urban settings / Jelena Jovanovic -- Hands off my instrument! / Helen Reddington -- Barbadian tuk music, a fusion of musical cultures / Sharon Meredith -- There goes the transnational neighborhood : calypso buys a bungalow / Michael Eldridge -- Fighting for the right (to) party? : discursive negotiations of power in pre-unification East German popular music / Edward Larkey -- Who's listening? / Bennett Hogg -- Subversion and counter-subversion : power, control and meaning in the new Iranian pop music / Laudan Nooshin.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/ecip0413/2004001365.html
- 系統號: 005021896
- 資料類型: 圖書
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- 引用網址: 複製連結
Music, Power, and Politics presents sixteen different cultural perspectives on the concept of music as a site of socio-political struggle. Essays by scholars from around the world explore the means by which music's long-acknowledged potential to persuade, seduce, indoctrinate, rouse, incite, or even silence listeners, has been used to advance agendas of power and protest. The essays included examine: music used to convey political ideology in Nazi Germany, apartheid-era South Africa, and modern-day North Korea postcolonial musical efforts to reclaim ethnic heritage in Serbia and the Caribbean music as a means of establishing new cultural identities for recently empowered social groups in the UK and Brazil the subversion of racial stereotypes through popular music in the USA music as a tool of popular resistance to oppressive government policies in modern day Iran and the Bolivian Andes
來源: Google Book
來源: Google Book
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