資料來源: Google Book
Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood :authorship, authority and the playhouse
- 作者: Ioppolo, Grace,
- 出版: London ;New York : Routledge 2006.
- 稽核項: x, 234 p. :ill. ;24 cm.
- 叢書名: Routledge studies in Renaissance literature and culture ;6
- 標題: Transmission of texts England -- History -- 16th century. , Authors and readers England -- History -- 17th century. , Authors and readers , English drama , Authors and readers England -- History -- 16th century. , Transmission of texts England -- History -- 17th century. , English drama 17th century -- Criticism, Textual. , English drama Early modern and Elizabethan, 1500-1600 -- Criticism, Textual. , Manuscripts, English , Theater audiences England -- History -- 17th century. , Criticism, Textual. , Theater audiences England -- History -- 16th century. , Manuscripts, English History -- 17th century. , Theater audiences , Manuscripts, English History -- 16th century. , Transmission of texts , History
- ISBN: 0415339650 , 9780415339650
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p. [185]-227) and index.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/ecip0515/2005018700.html https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/enhancements/fy0707/2005018700-d.html
- 系統號: 005219156
- 資料類型: 圖書
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- 引用網址: 複製連結
This book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Ioppolo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been universally argued by scholars - but circular. Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides much new information and case studies, and is a fascinating contribution to the fields of Shakespeare studies, English Renaissance drama studies, manuscript studies, textual study and bibliography and theatre history.
來源: Google Book
來源: Google Book
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