The percussionist's art :same bed, different dreams
- 作者: Schick, Steven.
- 出版: Rochester, NY : University of Rochester Press 2006.
- 稽核項: xx, 248 p. :ill., music ;22 cm. + 1 CD (4 3/4 in.)
- 標題: Percussion, Musique de Analyse et appreciation. , Analysis, appreciation. , Instruments a percussion Execution. , Percussion, Musique de , Percussion instruments Performance. , Percussion music , Percussion instruments , Execution. , Instruments a percussion , Analyse et appreciation. , Performance. , Percussion music Analysis, appreciation.
- ISBN: 1580462146 , 9781580462143
- 附註: Includes bibliographical references (p. [243]-244) and index. Because the world is round -- Loud Americans : American percussion music under construction -- Learning Bone alphabet -- The affliction of memory -- Face the music : a look at percussion playing -- This is not a drum : manipulating the material of percussion music -- Same bed, different dreams : a personal epilogue.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/ecip064/2005034680.html
- 系統號: 005218813
- 資料類型: 視聽(聲音)
- 讀者標籤: 需登入
- 引用網址: 複製連結
"The Percussionist's Art: Same Bed, Different Dreams examines major works from the solo and chamber repertoire for percussion, from Edgard Varese's Ionisation (1931) and Cage's First Construction (in Metal) (1939) to Morton Feldman's The King of Denmark (1964), Steve Reich's Drumming (1971), Bone Alphabet by Brian Ferneyhough (1991), and Corporel (1985), a piece by Vinko Globokar for percussionist performing on his or her amplified body."--BOOK JACKET.
來源: Google Book
來源: Google Book
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