Through performance, video, sculpture and installation Mona Hatoum immerses her audience in emotional and psychic states - as they take a journey through all the orifices of her body; watch her drowning in mud in a glass box; or walk down a long tunnel towards a light which literally will burn them. Whilst her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture yet their designs and material have a threatening edge. This text argues that Hatoum's works can be seen as powerful evocations of statelessness, anxiety, denial and otherness.
來源: Google Book