資料來源: Google Book
Changing tunes :the use of pre-existing music in film
- 其他作者: Powrie, Phil. , Stilwell, Robynn Jeananne.
- 出版: Aldershot, England ;Burlington, VT : Ashgate c2006.
- 稽核項: xix, 205 p. :ill., music ;24 cm.
- 叢書名: Ashgate popular and folk music series
- 標題: Motion picture music , History and criticism. , Analysis, appreciation. , Film, Musique de Analyse et appreciation. , Filmmuziek. , Film, Musique de Histoire et critique. , Analyse et appreciation. , Motion picture music History and criticism. , Histoire et critique. , Motion picture music Analysis, appreciation. , Film, Musique de
- ISBN: 0754651371 , 9780754651376
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p. [188]-198) and index. Includes filmography. Pt. 1. Pre-existing classical film scores -- Ears wide open : Kubrick's music / Claudia Gorbman -- The pleasures of ambiguity : using classical music in film / Mike Cormack -- The godfather part III : film, opera, and the generation of meaning / Lars Franke -- High and low culture : Bizet's Carmen and the cinema / Ann Davies -- Reconsidering Amadeus : Mozart as film music / Jeongwon Joe -- The troll among us / Kristi A. Brown -- Pt. 2. Popular music and film -- Queer pleasures : the bolero, camp, and Almodovar / Vanessa Knights -- Music, electricity, and the 'sweet mystery of life' in Young Frankenstein / Raymond Knapp -- The popular song as leitmotif in 1990s film / Ronald Rodman -- The fabulous destiny of the accordion in French cinema / Phil Powrie -- Vinyl communion : the record as ritual object in girls' rites-of-passage films / Robynn Stilwell -- Narrating sound : the pop video in the age of the sampler / Timothy Warner.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/ecip0512/2005013075.html
- 系統號: 005220719
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The study of pre-existing film music is a well-established part of Film Studies, covering 'classical' music and popular music. Generally, these broad musical types are studied in isolation. This anthology brings them together in twelve focused case studies. The first section explores art music; it revolves around the debate on the relation between the aural and visual tracks, and whether pre-existing music has an integrative function or not. The second section is devoted to popular music in film, and shows how very similar the functions of popular music in film are to the supposedly more 'elite' classical music and opera.
來源: Google Book
來源: Google Book
評分