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資料來源: Google Book

Performing objects :museums, material culture and performance in Southeast Asia

Eastern Africa is often neglected in surveys of African `art'. Masks and sculpted human figures, which are generally the main focus of interest for historians of African `art', are most notable for their relative rarity when compared with the rich accomplished traditions of the Zaire basin and West Africa. Therefore the question most often posed by sceptics is: `Is there `art' in East Africa?' Although various theories have been put forward as to why, for instance, East African sculptural traditions are apparently `inferior' to those of West and Central Africa there is no evidence, in the end, to suggest that East African peoples are significantly less concerned than other African people with `beauty' (however it is defined) and with appreciation of apt or meaningful form and with creative expression. The real challenge is not to explain why one culture produces more or less in the way of material objects than another, but to establish how particular expressions or forms of creativity relate to their makers' and users' intentions and how they function and are given meaning in particular social contexts.
來源: Google Book
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