European film music
- 其他作者: Mera, Miguel. , Burnand, David.
- 出版: Aldershot, England ;Burlington, VT : Ashgate 2006.
- 稽核項: xii, 206 p. :ill. ;25 cm.
- 叢書名: Ashgate popular and folk music series
- 標題: Motion picture music , History and criticism. , Filmmuziek. , Europa (geografie) , Motion picture music Europe -- History and criticism. , Motion picture music History and criticism. , Films.
- ISBN: 0754636593 , 9780754636595
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p. [191]-198) and index. Per aspera ad astra and back again : film music in Germany from 1927 to 1945 / Reimar Volker -- Music, people and reality : the case of Italian neo-realism / Richard Dyer -- Contemporary Spanish film music : Carlos Saura and Pedro Almodovar / Kathleen M. Vernon and Cliff Eisen -- Music as a satirical device in the Ealing comedies / Kate Daubney -- Screen playing : cinematic representations of classical music performance and European identity / Janet K. Halfyard -- Outing the synch : music and space in the French heritage film / Phil Powrie -- Sean O Riada and Irish post-colonial film music : George Morrison's Mise Eire / David Cooper -- Angel of the air : Popol Vuh's music and Werner Herzog's films / K.J. Donnelly -- Modernity and a day : the functions of music in the films of Theo Angelopoulos / Miguel Mera -- Preisner-Kieslowski : the art of synergetic understatement in Three colours: red / Jon Paxman -- 'The rhythm of the night' : reframing silence, music and masculinity in Beau travail / Heather Laing-- Scoring This filthy earth / David Burnand.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/ecip061/2005027803.html
- 系統號: 005220790
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Miguel Mera and David Burnand present a volume that explores specific European filmic texts, composers and approaches to film scoring that have hitherto been neglected. Films involving British, French, German, Greek, Irish, Italian, Polish and Spanish composers are considered in detail. Important issues that permeate all the essays involve the working relationship of composer and director, the dialectic between the diegetic and non-diegetic uses of music in films, the music-image synergism and the levels of realism that are created by the audio-visual mix.
來源: Google Book
來源: Google Book
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