Music after Hitler, 1945-1955
- 作者: Thacker, Toby,
- 出版: Aldershot, England ;Burlington, VT : Ashgate c2007.
- 稽核項: ix, 280 p. ;24 cm.
- 標題: Social life and customs , History and criticism. , Censorship. , Germany , Music and state , Germany Social life and customs -- 20th century. , Music , Music Germany -- 20th century -- History and criticism. , Music and state Germany.
- ISBN: 0754653463 , 9780754653462
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p. [243]-265) and index. Allied re-education, 1945-1949 -- Music and regeneration -- Denazification -- Anti-fascism and music -- 'cultural freedom' or 'contemporary realism'? -- New musical cultures, 1949-1955 -- Bach 'shenanigans' -- Music and state in Germany : 1950-1955 -- Dance music : the enemy within? -- Collaboration, confrontation, and infiltration -- Conclusion : when music mattered.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/ecip068/2006005357.html
- 系統號: 005220794
- 資料類型: 圖書
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- 引用網址: 複製連結
The political control of music in the Third Reich has been analysed from several perspectives, and with ever increasing sophistication. Toby Thacker asks how and why music was controlled in Germany under Allied Occupation from 1945-1949, and in the early years of 'semi-sovereignty' between 1949 and 1955. The 're-education' of Germany after the Hitler years was a unique historical experiment and the place of music within this is explored here for the first time.
來源: Google Book
來源: Google Book
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