Titian & tragic painting :Aristotle's poetics and the rise of the modern artist
- 作者: Puttfarken, Thomas.
- 出版: New Haven : Yale University Press c2005.
- 稽核項: vi, 240 p. :ill. (some col.) ;27 cm.
- 標題: Peinture de la Renaissance , Conditions socialesHistoire , Painters , Tragic, The, in art. , Aristotle Influence. , Ut pictura poesis (Esthetique) , Painting, Renaissance , Criticism and interpretation. , Titian, , Ut pictura poesis (Aesthetics) , Titian, ca. 1488-1576 Criticism and interpretation. , Social conditionsHistory , Peintres , Peinture de la Renaissance Italie. , Tragique dans l'art. , Influence. , Titien, ca 1488-1576 Critique et interpretation. , Critique et interpretation. , Peintres Italie -- Conditions sociales -- Histoire -- 16e siecle. , Painting, Renaissance Italy. , Aristote , Titien, , Painters Italy -- Social conditions -- History -- 16th century. , Aristote Influence. , Aristotle
- ISBN: 0300110006 , 9780300110005
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p. 225-233) and index. Introduction -- On the status of painting in the Renaissance -- Painting, poetry and the liberal arts -- Imitation, moral purpose and learning -- Tragedy -- Titian and tragedy -- The four great sinners -- Michelangelo and Titian: terribilita and tragic pathos -- Titian's mythological paintings: problems of interpretation -- Titian's poesie for Philip II as painted tragedies -- The final tragedies and Titian's 'late style' -- Notes -- Bibliography -- Index.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/ecip0512/2005012042.html https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/enhancements/fy0634/2005012042-b.html https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/enhancements/fy0634/2005012042-d.html
- 系統號: 005220739
- 資料類型: 圖書
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- 引用網址: 複製連結
Late in his life Titian created a series of paintings--the "Four Sinners,” the "poesie” for his patron Philip II of Spain, and the "Final Tragedies”--that were dark in tone and content, full of pathos and physical suffering.In this major reinterpretation of Titian’s art, Thomas Puttfarken shows that the often dramatic and violent subject matter of these works was not, as is often argued, the consequence of the artist’s increasing age and sense of isolation and tragedy. Rather, these paintings were influenced by discussions of Aristotle’s Poetics that permeated learned discourse in Italy in the mid-sixteenth century. The Poetics led directly to a rich theory of the visual arts, and painting in particular, that enabled artists like Titian to consider themselves on equal footing with poets. Puttfarken investigates Titian’s late works in this context and analyzes his relations with his patrons, his intellectual and humanistic contacts, and his choices of subject matter, style, and technique.
來源: Google Book
來源: Google Book
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