The vision of China in the English literature of the seventeenth and eighteenth centuries
- 其他作者: Hsia, Adrian,
- 出版: Hong Kong : Chinese University Press 1998.
- 稽核項: xi, 404 p. ;23 cm.
- 標題: History and criticism. , English literature 18th century -- History and criticism. , En la literatura. , Literatura inglesa , English literature , In literature. , Influencia china. , Literatura inglesa Influencia china. , China , China En la literatura. , English literature History and criticism. , China In literature.
- ISBN: 9622016081 , 9789622016088
- 附註: Includes bibliographical references (p. [401]-404). Historical background : the continental connection / Adrian Hsia -- China in the English literature of the seventeenth century / Qian Zhongshu -- The beginnings of the influence of Chinese culture in England / Fan Cunzhong -- John Webb : a forgotten page in the early history of Sinology in Europe / Chen Shouyi -- China in the English literature of the eighteenth century / Qian Zhongshu -- Daniel Defoe, China's severe critic / Chen Shouyi -- Chinese fables and anti-Walpole journalism / Fan Cunzhong -- Dr. Johnson and Chinese culture / Fan Cunzhong -- Oliver Goldsmith and his Chinese Letters / Chen Shouyi -- Thomas Percy and his Chinese studies / Sir William Jones's Chinese studies / Fan Cunzhong -- The Chinese garden in eighteenth century England / Chen Shouyi -- The Chinese Orphan : a Yuan play : its influence on European drama of the eighteenth century / Chen Shouyi -- The Orphan of the House Zhao in French, English, German, and Hong Kong literature / Adrian Hsia.
- 系統號: 005222281
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The Vision of China is the first book on China as it came to be reflected in English literature. As such, it also offers the first comprehensive study of the image of China in Western literature. Featuring essays by prominent Chinese scholars such as Qian Zongshu, Fan Cunzhong, and Chen Shouyi, it complements such works as Pierre Martino's L'Orient dans la litterature francaise au XVIIe et au XVIIIe siecle (1906), Ursula Aurich's China im Spiegel der deutschen Literature des 18. Jahrhunderts (1935), and E. Horst Tscharner's China in der deutschen Dichtung bis zur Klassik (1939).Together with William W. Appleton's A Cycle of Cathay: The Chinese Vogue in England during the 17th and 18th Centuries (1951) and Raymond Dawson's The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization (1967), the book studies the last phase of the Chinese mode in England. Some of the articles collected here actually inspired Appleton's study, at least in part.As a contemporary volume on the construct of China, The Vision of China can readily be considered the companion study to Edward Said's envisioned Orient in Orientalism (1979), to Tzvetan Todorov's Africa in Nous et les autres: la reflection francaise sur la diversite humaine (1989), and Gauri Viswanathan's Masks of Conquest: Literary Study and British Rule in India (1989).
來源: Google Book
來源: Google Book
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