Cinema :the archeology of film and the memory of a century
- 作者: Godard, Jean-Luc,
- 其他作者: Ishaghpour, Youssef.
- 出版: Oxford ;New York : Berg 2005.
- 版本: English ed.
- 稽核項: 143 p. ;20 cm.
- 標題: Motion pictures. , Godard, Jean-Luc Ishaghpour, Youssef -- Gesprach. , Film Geschichte. , Ishaghpour, Youssef , Ishaghpour, Youssef Godard, Jean-Luc -- Gesprach. , Godard, Jean-Luc , Film
- ISBN: 1845201973 , 9781845201975
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p. 142-143) and index. Cinema -- Constellation and Classification -- Angle and Montage -- The Urgency of the Present/The Redemption of the Past -- History and Re-memorization -- How Video Made the History of Cinema Possible -- Only Cinema can Narrate its own History: Quotation and Montage -- Histoire(s) du cinema: Films and Books -- History and Archeology -- The History of Love, of the Eye, and of the Gaze -- Hitchcock and the Power of Cinema -- The Loss of the Magic of Cinema and the Nouvelle Vague -- Before and After Auschwitz -- What can Cinema Do? -- Only Cinema Narrates Large-scale History by Narrating its own History -- In Cinema as in Christianity: Image and Resurrection -- Image and Montage -- Towards the Stars -- Jean-Luc Godard, Cineaste of Modern Life: The Poetic in the Historical.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/ecip055/2004029767.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0617/2004029767-b.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0617/2004029767-d.html
- 系統號: 005023309
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a century of film as well as his own work and career. Born with the twentieth century, cinema became not just the century's dominant art form but its best historian. Godard argues that - after Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. Godard presents his thoughts on film theory, cinematic technique, film histories, as well as the recent video revolution. He expounds on his central concerns - how film can "resurrect the past," the role of rhythm in film, and how cinema can be an "art that thinks." Here Godard comes closest to defining a lifetime's obsession with cinema and cinema's lifelong obsession with history.
來源: Google Book
來源: Google Book
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