Performer training :Developments across cultures
- 其他作者: Watson, Ian,
- 出版: Australia : Harwood Academic ; 2001.
- 稽核項: xiii, 236 p. :ill. ;23 cm.
- 標題: Actors Training of , Training ofCrossCultural studies , Actors Training of -- Cross -- Cultural studies , Actors Training of -- Philosophy , Training ofPhilosophy , Training of , Actors , Training ofSocial aspects , Actors Training of -- Social aspects
- ISBN: 9057551225 , 9789057551222
- 附註: 教育部顧問室九十一年度「表演藝術資料中心計畫」. Includes bibliographical references and index.
- 系統號: 005227801
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Performer Training is an examination of how actors are trained in different cultures. Beginning with studies of mainstream training in countries such as Poland, Australia, Germany, and the United States, subsequent studies survey: - Some of Asia's traditional training methods and recent experiments in performer training - Eugenio Barba's training methods - Jerzy Grotowski's most recent investigations - The Japanese American NOHO companies attempts at integrating Kyogen into the works of Samuel Beckett - Descriptions of the training methods developed by Tadashi Suzuki and Anne Bogart at their Saratoga International Theatre Institute - Recent efforts to re-examine the role and scope of training, like Britain's International Workshop Festival and the European League of Institutes of Arts masterclasses - The reformulation of the use of emotions in performer training known as Alba Emoting.
來源: Google Book
來源: Google Book
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