From playhouse to printing house :drama and authorship in early modern England
- 作者: Brooks, Douglas A.
- 出版: New York : Cambridge University Press 2000.
- 稽核項: xviii, 293 p. :ill. ;24 cm.
- 叢書名: Cambridge studies in Renaissance literature and culture ;36
- 標題: Drama Publishing -- History. , Literature publishing , History and criticism. , Authors and the theater England -- History -- 16th century. , English drama , English drama Early modern and Elizabethan, 1500-1600 -- History and criticism. , PublishingHistory. , Renaissance England. , History. , Authors and the theater England -- History -- 17th century. , Drama , Renaissance , Literature publishing England -- History -- 16th century. , Playwriting History. , Authors and the theater , Authorship , Literature publishing England -- History -- 17th century. , Playwriting , English drama 17th century -- History and criticism. , Authorship History. , History
- ISBN: 052177117X , 9780521771177
- 附註: 教育部顧問室九十一年度「表演藝術資料中心計畫」 九十一年度「輔導新設國立大學健全發展計畫」藏書. Includes bibliographical references and index.
- 系統號: 005227439
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
This original study examines how Shakespeare and his contemporaries made the difficult transition from writing plays for the theater to publishing them as literary works. Douglas Brooks analyzes how and why certain plays found their way into print while many others failed to do so and looks at the role played by the Renaissance book trade in shaping literary reputations. Incorporating many finely-observed typographical illustrations, this book focuses on plays by Shakespeare, Jonson, Webster, and Beaumont and Fletcher as well as reviewing the complicated publication history of Thomas Heywood's work.
來源: Google Book
來源: Google Book
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