Music theory and natural order from the Renaissance to the early twentieth century
- 其他作者: Rehding, Alexander. , Clark, Suzannah,
- 出版: Cambridge, United Kingdom ;New York : Cambridge University Press 2001.
- 稽核項: 243 p. :ill. ;26 cm
- 標題: Music theory History. , Philosophy and aesthetics. , History. , Music theory , Music , Music Philosophy and aesthetics. , Nature and music theory.
- ISBN: 0521771919 , 9780521771917
- 附註: 九十一年度「輔導新設國立大學健全發展計畫」藏書. Includes bibliographical references (p. 213-232) and index.
- 系統號: 005234794
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.
來源: Google Book
來源: Google Book
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