Making art history :a changing discipline and its institutions
- 其他作者: Mansfield, Elizabeth,
- 出版: New York ;London : Routledge 2007.
- 稽核項: xi, 274 p. :ill. ;24 cm.
- 標題: Sociale aspecten. , Art and society. , Historiography. , Organisaties. , Kunstgeschiedenis (wetenschap) , Art , Art Historiography.
- ISBN: 0415372356 , 9780415372350
- 試查全文@TNUA:
- 附註: Includes bibliographical references and index. The call of the canon : why art history cannot do without / Marlite Halbertsma -- From the prophet to postmodernism? New world orders and the end of Islamic art / Finbarr Barry Flood -- Turning green into black, or how I learned to live with the canon / Steven Nelson -- What's in a name? "Flanders," language and the historiography of late medieval art in Belgium since federalization / Gregory T. Clark -- Art history's present tense / Janet Kraynak -- The totality of form : S.J. Freedberg's criticism and Clement Greenberg's history / Eric Rosenberg -- Unmaking art history / Donald Preziosi -- Rhetoric and motive in art history : a shapeshifter's perspective / Christopher Bucklow -- On the institution of limits / Stephen Melville -- Remaking art history : working wonder in the university's ruins / Claire Farago -- Deep innovation and mere eccentricity in Islamic art history / David Carrier -- Art, science, and evolution / Robert O. Bork -- Figuring the origins of the modern at the fin de siecle : the trope of the pathetic male / Anna C. Chave -- Re-imagining meaning in the contemporary museum : from things that go beep in the case to the artist ex machina / Christopher R. Marshall -- (Con)Testing resources / Maureen Connor.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/ecip074/2006037163.html
- 系統號: 005241550
- 資料類型: 圖書
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Making Art History is a collection of essays by contemporary scholars on the practice and theory of art history as it responds to institutions as diverse as art galleries and museums, publishing houses and universities, school boards and professional organizations, political parties and multinational corporations. The text is split into four thematic sections, each of which begins with a short introduction from the editor, the sections include: Border Patrols, addresses the artistic canon and its relationship to the ongoing 'war on terror', globalization, and the rise of the Belgian nationalist party. The Subjects of Art History, questions whether 'art' and 'history' are really what the discipline seeks to understand. Instituting Art History, concerns art history and its relation to the university and raises questions about the mission, habits, ethics and limits of university today. Old Master, New Institutions, shows how art history and the museum respond to nationalism, corporate management models and the 'culture wars'.
來源: Google Book
來源: Google Book
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