The End of cinema as we know it :American film in the nineties
- 其他作者: Lewis, Jon,
- 出版: New York : New York University Press c2001.
- 稽核項: x, 385 p. :ill. ;24 cm.
- 標題: Motion pictures , Filmkunst. , Cinema , Motion picture industry United States -- History. , Motion pictures United States -- History. , History. , Cinema Industrie -- Etats-Unis -- Histoire. , Histoire. , Filmindustrie. , IndustrieHistoire. , Motion picture industry , Cinema Etats-Unis -- Histoire.
- ISBN: 081475161X , 9780814751619
- 試查全文@TNUA:
- 附註: Includes bibliographical references and index. The blockbuster: everything connects, but not everything goes / Thomas Elsaesser -- Those who disagree can kiss Jack Valenti's ass / Jon Lewis -- The Hollywood history business / Jan-Christopher Horak -- The man who wanted to go back / Murray Pomerance -- "American" cinema in the 1990s and beyond: whose country's filmmaking is it anyway? / Charlie Keil -- Marketing marginalized cultures: The wedding banquet, cultural identities, and independent cinema of the 1990s / Justin Wyatt -- Hollywood redux: All about my mother and Gladiator / Hilary Radner -- The zen of masculinity: rituals of heroism in The matrix / Pat Mellencamp -- Ikea boy fights back: Fight club, consumerism, and the political limits of nineties cinema / Henry A. Giroux & Imre Szeman -- The Blair witch project, Macbeth, and the indeterminate end / Eric S. Mallin -- Empire of the gun: Steven Spielberg's Saving Private Ryan and American chauvinism / Frank P. Tomasulo -- Saving Private Ryan too late / Krin Gabbard -- The confusions of Warren Beatty / Dana Polan -- Movie star presidents / Thomas Doherty -- The fantasy image: fixed and moving / Maureen Turim -- Men with guns: the story John Sayles can't tell / Ralph E. Rodriguez -- The end of Chicano cinema / Chon A. Noriega -- Being Keanu / R.L. Rutsky -- Woody Allen, "the artist", and "the little girl" / David R. Shumway -- Affliction: when paranoid male narratives fail / Marita Sturken -- The phallus unfetished: the end of masculinity as we know it in late-1990s "feminist" cinema / Alexandra Juhasz -- Bods and monsters: the return of the Bride of Frankenstein / Elizabeth Young -- Having their cake and eating it too: fat acceptance films and the production of meaning / Jerry Mosher -- A rant / James Schamus -- The case of Harmony Korine / Robert Sklar -- Where Hollywood fears to tread: autobiography and the limits of commercial cinema / Kathleen McHugh -- Smoke 'til you're blue in the face / Murray Smith -- Pamela Anderson on the slippery slope / Chuck
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/fy031/2001003695.html https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/enhancements/fy0734/2001003695-b.html https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/enhancements/fy0807/2001003695-d.html
- 系統號: 005241966
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Almost half a century ago, Jean-Luc Godard famously remarked, "I await the end of cinema with optimism." Lots of us have been waiting forand wondering aboutthis prophecy ever since. The way films are made and exhibited has changed significantly. Films, some of which are not exactly "films" anymore, can now be projected in a wide variety of wayson screens in revamped high tech theaters, on big, high-resolution TVs, on little screens in minivans and laptops. But with all this new gear, all these new ways of viewing films, are we necessarily getting different, better movies? The thirty-four brief essays in The End of Cinema as We Know It attend a variety of topics, from film censorship and preservation to the changing structure and status of independent cinemafrom the continued importance of celebrity and stardom to the sudden importance of alternative video. While many of the contributors explore in detail the pictures that captured the attention of the nineties film audience, such as Jurassic Park, Eyes Wide Shut, South Park: Bigger, Longer and Uncut, The Wedding Banquet, The Matrix, Independence Day, Gods and Monsters, The Nutty Professor, and Kids, several essays consider works that fall outside the category of film as it is conventionally definedthe home "movie" of Pamela Anderson and Tommy Lee's honeymoon and the amateur video of the LAPD beating of Rodney King. Examining key films and filmmakers, the corporate players and industry trends, film styles and audio-visual technologies, the contributors to this volume spell out the end of cinema in terms of irony, cynicism and exhaustion, religious fundamentalism and fanaticism, and the decline of what we once used to call film culture. Contributors include: Paul Arthur, Wheeler Winston Dixon, Thomas Doherty, Thomas Elsaesser, Krin Gabbard, Henry Giroux, Heather Hendershot, Jan-Christopher Hook, Alexandra Juhasz, Charles Keil, Chuck Klienhans, Jon Lewis, Eric S. Mallin, Laura U. Marks, Kathleen McHugh, Pat Mellencamp, Jerry Mosher, Hamid Naficy, Chon Noriega, Dana Polan, Murray Pomerance, Hillary Radner, Ralph E. Rodriguez, R.L. Rutsky, James Schamus, Christopher Sharrett, David Shumway, Robert Sklar, Murray Smith, Marita Sturken, Imre Szeman, Frank P. Tomasulo, Maureen Turim, Justin Wyatt, and Elizabeth Young.
來源: Google Book
來源: Google Book
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