資料來源: Google Book
(Re)visualizing national history :museums and national identities in Europe in the new millennium
- 其他作者: Ostow, Robin.
- 出版: Toronto : University of Toronto Press c2008.
- 稽核項: x, 228 p. :ill. ;24 cm.
- 叢書名: German and European studies
- 標題: Europe , Musees Aspect politique -- Europe. , Europe Politique et gouvernement. , Musees , Europe Politics and government. , Social aspects , Histoire. , Politique et gouvernement. , Nationalisme , Museums Political aspects -- Europe. , History. , Museums , Nationalisme Europe -- Histoire. , Politics and government. , Musees Aspect social -- Europe. , Aspect politique , Museums Social aspects -- Europe. , Aspect social , Nationalism Europe -- History. , Political aspects , Nationalism
- ISBN: 0802092217 , 9780802092212
- 附註: 96年度「補助人文及社會科學研究圖書計畫規劃主題 : 建築與文化資產」. Includes bibliographical references and index.
- 系統號: 005243430
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The role of the museum is a contentious one. The last fifteen years have seen scholars point to ways in which states – particularly imperial states – use museums as sites to showcase looted treasure, to document their geographic expansion, to present the state as the guardian of the national treasure, and to educate citizens and subjects. This period has also seen a great deal of attention paid to the reshaping of national histories and values in the wake of the collapse of the Communist bloc and the emergence of the European Union. (Re)Visualizing National History brings these two streams of scholarship together, treating the wave of monument and museum building in Europe as part of an attempt to forge consensus in politically unified, but deeply divided nations. The essays in this collection explore the ways in which museums exhibit new national values, and, equally important, how the realization of these new museums (and new exhibits in older museums) reflects the search for a new consensus among different generational groups in Europe and in North America. The approach of the volume is deliberately interdisciplinary. The contributors come from a variety of countries in Europe and North America, speaking from the perspectives of cultural studies, history, art history, anthropology, and sociology, as well as museum studies.
來源: Google Book
來源: Google Book
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