附註:Includes bibliographical references (pages 331-343) and index.
Filmography: pages 317-320.
Avant-garde and mass culture: mapping the dialectic -- The American underground as a cultural formation: practices, institutions, and ideologies -- The 1960s underground as political postmodernism: from the new sensibility to gay cultural activism -- Pop, queer, or fascist? The ambiguity of mass culture in Kenneth Anger's Scorpio Rising -- Drag, rubble, and "Secret Flix": Jack Smith's avant-garde against the lucky landlord empire -- The artist as advertiser: stardom, style, and commodification in Andy Warhol's underground films.
