附註:Includes bibliographical references (pages 221-229) and index.
Seeds of reform: Father and master -- Setting the stage -- The symbolist theatre -- The London productions -- Foundations -- The Invention of the instruments: Assertions and self-assertion -- Movement -- Scene and the kinetic stage -- Voice and drama -- Belief (I) -- Theory in quest of practice: the Uber-Marionette International Theatre -- Experiments -- On the actor and the Uber-Marionette -- Belief (II) -- "Bending to the wind."
