The sovereignty of art :aesthetic negativity in Adorno and Derrida

• 作者: Menke, Christoph,
• 出版: Cambridge, Mass. : MIT Press ©1998.
• 稽核項: 1 online resource (xiii, 310 pages).
• 叢書名: Studies in contemporary German social thought
• 標題: Négativité (Philosophie) , PHILOSOPHY , 1900-1999 , Adorno, Theodor W., 1903-1969 , Negatieve dialectiek. , Esthétique. , Négativité (Philosophie) Histoire -- 20e siècle. , Deconstruction. , Derrida, Jacques , Esthétique 20e siècle. , Adorno, Theodor W., 1903-1969 Esthétique. , History. , Negativity (Philosophy) , Aesthetics. , Negativity (Philosophy) History -- 20th century. , Déconstruction. , Adorno, Theodor W., 1903-1969 Aesthetics. , Aesthetics, Modern , Deconstructivist. , Electronic books. , Derrida, Jacques Aesthetics. , Aesthetics, Modern 20th century. , Adorno, Theodor W., , History , Derrida, Jacques. , Esthétique , Histoire , Derrida, Jacques Esthétique. , PHILOSOPHY Aesthetics. , Esthetica. , Aesthetics, Modern.
• ISBN: 0262279681 , 9780262279680
• ISBN: 0262133407
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• 附註: Includes bibliographical references (pages 281-297) and index.
• 摘要: In this book, Christoph Menke attempts to explain art's sovereign power over reason without falling into an error common to Adorno's negative dialectics and Derrida's deconstruction. The error, which appeared even earlier in romanticism, is to conceive of the sovereignty of art as a reflection of the superiority of its knowledge; but art entails no knowledge, and its negativity toward reason cannot be articulated as an insight into the nature of reason. Rather, art is the medium of an experience that confronts reason from the outside with an insurmountable, never-ending crisis. Art is sovereign not despite, but because of, its autonomy. Its power to subvert reason depends on its separateness from reason. Menke brings to his arguments a firm grounding in both philosophy and literary studies, as well as familiarity with German, French, and American sources. -- Provided by publisher.
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• 系統號: 005284894
• 資料類型: 電子書
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