資料來源: Google Book
The making of the national poet :Shakespeare, adaptation and authorship, 1660-1769
- 作者: Dobson, Michael,
- 出版: Oxford : Clarendon Press 1992.
- 稽核項: 1 online resource (viii, 266 pages) :illustrations.
- 標題: Shakespeare, William, 1564-1616 Critique et interprétation -- Histoire -- 17e siècle. , Stage history , LITERARY CRITICISM Shakespeare. , Criticism and interpretationHistory , English drama , AdaptationsHistory and criticism. , Théâtre , Shakespeare, William, 1564-1616 Critique et interprétation -- Histoire -- 18e siècle. , Shakespeare, William, 1564-1616 Criticism and interpretation -- History -- 18th century. , Shakespeare, William, , Appréciation , Literature , Shakespeare, William, 1564-1616 Criticism and interpretation -- History -- 17th century. , Shakespeare, William, 1564-1616 Appréciation -- Grande-Bretagne. , Paternité littéraire. , Shakespeare, William, 1564-1616. , History. , Theater. , Appreciation , Receptie. , Critique et interprétationHistoire , Criticism, interpretation, etc. , Art appreciation. , Shakespeare, William, 1564-1616 Authorship. , Toneel. , Shakespeare, William, 1564-1616 Stage history -- 1625-1800. , Theater , DRAMA Shakespeare. , Histoire scénique , Adaptations. , Théâtre Grande-Bretagne -- Histoire -- 17e siècle. , DRAMA , Shakespeare, William, 1564-1616 Adaptations. , LITERARY CRITICISM , Electronic books. , Shakespeare, William, 1564-1616 Adaptations -- History and criticism. , History , Théâtre Grande-Bretagne -- Histoire -- 18e siècle. , Literature Adaptations. , Histoire , National characteristics, English, in literature. , Shakespeare, William, 1564-1616 Histoire scénique -- 1625-1800. , Theater Great Britain -- History -- 18th century. , Anglais dans la littérature. , Theater Great Britain -- History -- 17th century. , Shakespeare. , 1600-1800 , Great Britain. , Authorship. , Shakespeare, William, 1564-1616 Paternité littéraire. , Shakespeare, William, 1564-1616 Appreciation -- Great Britain.
- ISBN: 0198183232 , 9780198183235
- ISBN: 0198183232 , 0198112335 , 9780198112334
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 233-251) and index.
- 摘要: A study of the 18th century's revisions and revaluations of Shakespeare, considering the period's stage adaptations in the context of the cultural changes in which they participate. In so doing it provides an account of Shakespeare's promotion from archaic playwright to England's timeless Bard.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=19246
- 系統號: 005284989
- 資料類型: 電子書
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- 引用網址: 複製連結
The century between the Restoration and David Garrick's Stratford Jubilee saw Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. Butwhy Shakespeare? And what different interests did this process serve?The Making of the National Poet is the first full-length study since the 1920s of the Restoration and eighteenth century's revisions and revaluations, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which they participate.Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club), it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenmentatuhor and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with and even demanded the drastic and sometimes bizarre rewriting of his plays for which the period is notorious.The book provides, through engaging and informative analysis, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet.From reviews of the hardback:'Dobson . . . is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgottenadaptation . . . he has a strong grasp of the intricacies of eighteenth-century politics.' Times Literary Supplement'distinguished book' Shakespeare Survey'rich in insight' London Review of Books
來源: Google Book
來源: Google Book
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