附註:Includes bibliographical references (pages 227-244) and index.
|g 1. |t Aestheticism and Impressionism in The White Peacock -- |g 2. |t Forms of Expression in Sons and Lovers -- |g 3. |t Vision and Expression in The Rainbow -- |g 4. |t Expressionism in Women in Love -- |g 5. |t "Primitivism" in Women in Love -- |g 6. |t Futurism and Mechanism in Women in Love -- |g 7. |t Vitalism in Lawrence and Van Gogh -- |g 8. |t Lawrence, Van Gogh, and Cezanne -- |g 9. |t Lawrence, Gauguin, and Japanese Art in Kangaroo and The Plumed Serpent.
摘要:D. H. Lawrence, asserts Jack Stewart, expresses a painter's vision in words, supplementing visual images with verbal rhythms. With the help of twenty-three illustrations, Stewart shows how Lawrence's style relates to impressionism, expressionism, primitivism, and futurism. Stewart examines Lawrence's painterly vision in The White Peacock, Sons and Lovers, The Rainbow, Women in Love, Kangaroo, and The Plumed Serpent. Stewart's final three chapters deal with the influence exerted on Lawrence's fiction by the work of Van Gogh, Cezanne, Gauguin, and the Japanese artists Hokusai and Hiroshige. He concludes by synthesizing the themes that pervade this interarts study: vision and expression, art and ontology. -- Provided by publisher.
