附註:Filmography: pages 205-208.
Includes bibliographical references (pages 209-252) and index.
The Lasky Company and Highbrow Culture: Authorship Versus Intertextuality -- Self-Theatricalization in Victorian Pictorial Dramaturgy: What's His Name -- The Lower East Side as Spectacle: Class and Ethnicity in the Urban Landscape -- The Screen As Display Window: Constructing the "New Woman" -- The Historical Epic and Progressive Era Civic Pageantry: Joan the Woman -- Set and Costume Design as Spectacle in a Consumer Culture: The Early Jazz Age Films -- Demille's Exodus from Famous Players-Lasky: the Ten Commandments (1923).
