Background noise :perspectives on sound art

• 作者: LaBelle, Brandon.
• 出版: New York : Continuum International 2006.
• 稽核項: xviii, 316 p. :ill. ;23 cm.
• 標題: Performance art. , Arts, Modern , Sound in art. , Arts, Modern 20th century. , Site-specific art.
• ISBN: 0826418457 , 9780826418456
• 附註: Includes bibliographical references (p. 299-307) and index. Introduction: Auditory relations -- Fade in -- Pt. I. 4'33": sound and points of origin. Sociality of sound: John Cage and musical concepts ; Exposing the sound object: Musique Concrete's sonic research ; Automatic music: Group Ongaku's performative labors -- Pt. 2. Box with the sound of its own making: from gags to sculptural form. Rhythms of chaos: happenings, environments, and fluxus ; Minimalist treatments: La Monte Young and Robert Morris ; Conceptualizations: Michael Asher and the subject of space -- Pt. 3. I am sitting in a room: vocal intensities. Performing desire/performing fear: Vito Acconci and the power plays of voice ; Finding oneself: Alvin Lucier and the phenomenal voice ; Word of mouth: Christof Migone's Little Manias -- Pt. 4. Public supply: buildings, constructions, and locational listening. Tuning space: Max Neuhaus and site-specific sound ; Other architectures: Michael Brewster, Maryanne Amacher, and Bernhard Leitner ; Composing intensities: Iannis Xenakis's multimedia architectures -- Pt. 5. Soundmarks: environments and aural geography. Seeking ursound: Hildegard Westerkamp, Steve Peters, and the soundscape ; Language games: Yasunao Tone and the mechanics of information ; Complicating place: Bill Fontana and networking the soundscape -- Pt. 6. Global strings: interpersonal and network space. Interactions: Achim Wollscheid's production of the local ; Global events: Atau Tanaka and network as instrument ; Live streams: Apo33 and multiplying place -- Fade out -- Conclusion: Auditive pivot.
• 系統號: 005244711
• 資料類型: 圖書
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• 引用網址: 複製連結
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