The Performance of power :theatrical discourse and politics
- 其他作者: Case, Sue-Ellen, , Reinelt, Janelle G.,
- 出版: Iowa City : University of Iowa Press 1991.
- 版本: 1st ed.
- 稽核項: 1 online resource (xix, 284 pages) :illustrations.
- 叢書名: Studies in theatre history and culture
- 標題: Toneel. , Seksen. , History and criticism. , Drama History and criticism. , Theater , Sociale aspecten. , PERFORMING ARTS Theater -- General. , Electronic books. , PERFORMING ARTS , TheaterGeneral. , Theater. , Drama , Criticism, interpretation, etc. , Geschichte , Drama. , Politik , Politieke aspecten. , Aufsatzsammlung
- ISBN: 1587290340 , 9781587290343
- ISBN: 0877453179 , 0877453187 , 9780877453185 , 9780877453178
- 試查全文@TNUA:
- 附註: Includes bibliographical references. Sexual politics and cultural identity in The masque of blackness / Kim F. Hall -- The good soldier Schwejk as dialectical theater / Sarah Bryant-Bertail -- Revolution ... history ... theater : the politics of Wooster Group second trilogy / David Savran -- Bernard Shaw and the drama of imperialism / J. Ellen Gainor -- Constructing Patroclus : the high and low discourses of Renaissance sodomy / Gregory W. Bredbeck -- The politics of Metamora / Jeffrey D. Mason -- The Eurocolonial reception of Sanskrit poetics / Sue-Ellen Case -- The artificial eye : Augustan theater and the empire of the visible / Joseph Roach -- The playhouse and the committee / Barry B. Witham -- Spectacle as government : Dickens and the working-class audience / Janice Carlisle -- Victorian players and sages / Nina Auerbach -- Charlie Chaplin, Soviet icon / Spencer Golub -- Theorizing utopia : Edward Bond's war plays / Janelle Reinelt -- Demographics and the academy / Margaret B. Wilkerson -- The challenge to professional training and development / Simon Williams -- Integrating instruction, production, and research / Jon Whitmore -- Conferring power in the theater / Gay Gibson Cima -- New historicism and American theater history : toward an interdisciplinary paradigm for scholarship / Bruce A. McConachie -- The theory of history / Marvin Carlson.
- 摘要: Recently in the field of theatre studies there has been an increasing amount of debate and dissonance regarding the borders of its territory, its methodologies, subject matter, and scholarly perspectives. The nature of this debate could be termed "political" and, in fact, concerns "the performance of power"--The struggle over power relations embedded in texts, methodologies, and the academy itself. This striking new collection of nineteen divergent essays represents this performance of power and the way in which the recent convergence of new critical theories wit.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=21961
- 系統號: 005286826
- 資料類型: 電子書
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- 引用網址: 複製連結
Recently in the field of theatre studies there has been an increasing amount of debate and dissonance regarding the borders of its territory, its methodologies, subject matter, and scholarly perspectives. The nature of this debate could be termed "political" and, in fact, concerns "the performance of power"—the struggle over power relations embedded in texts, methodologies, and the academy itself. This striking new collection of nineteen divergent essays represents this performance of power and the way in which the recent convergence of new critical theories with historical studies has politicized the study of the theatre. Neither play text, performance, nor scholarship and teaching can safely reside any longer in the "free," politically neutral, self-signifying realm of the aesthetic. Politicizing theatrical discourse means that both the hermeneutics and the histories of theatre reveal the role of ideology and power dynamics. New strategies and concepts—and a vital new phase of awareness—appear in these illuminating essays. A variety of historical periods, from the Renaissance through the Victorian and up to the most contemporary work of the Wooster group, illustrate the ways in which contemporary strategies do not require contemporary texts and performances but can combine with historical methods and subjects to produce new theatrical discourse.
來源: Google Book
來源: Google Book
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