資料來源: Google Book

The Italian presence in American art, 1860-1920

  • 其他作者: Jaffe, Irma B.
  • 出版: New York : Fordham University Press ©1992.
  • 稽核項: 1 online resource (xvi, 265 pages) :illustrations (some color).
  • 標題: Art, American 20th century. , ART , Art, American Italian influences. , AmericanGeneral. , 1800-1999 , Electronic books. , Italian influences. , Art, American 19th century. , Art, American. , ART American -- General. , Art, American
  • ISBN: 0823213420 , 9780823213429
  • ISBN: 0823213420
  • 試查全文@TNUA:
  • 附註: Includes bibliographical references.
  • 摘要: Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source. Among the themes that arise from this examination of the role that Italy played in shaping American art is first and foremost the struggle to resolve the issue of what American art ought to express: our European heritage or our cultural independence. This question penetrates to the heart of the most widely debated topic in present-day American culture - multiculturalism. The reader may well find previously unconsidered relationships between our past and present, and may be led to reconsider problems posed by the conflicting needs of unity and diversity in our nation. Other themes that appear in these essays deal with the development of American wealth and its role in influencing the taste of the period, and with feminism. In these pages it will be noticed how very closely American art mirrors the American Experience. While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between idea and image particularly visible. What becomes evident is that "the Italian presence" was almost never a simple matter of direct influence; rather it was an experience for American artists that afforded them, above all, insight and inspiration. Italy was America's muse.
  • 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=16340
  • 系統號: 005288547
  • 資料類型: 電子書
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  • 引用網址: 複製連結
The Italian Presence in American Art, 1760-1860, based on papers presented at a joint Instituto della Enciclopedia Italiana/Fordham U. symposium held in 1987, was published in 1989. The present volume comprises 17 papers presented at the second joint symposium, dealing with American art from 1860 to 1920. It is also Volume II of what is now projected as a three-volume study of the Italian presence in American art, to be completed with a volume based on the third symposium (1991) covering the period 1920-1990. The production is lovely throughout, and the essays are illustrated with 16 color plates and 149 bandw figures. Co-published with the Instituto della Enciclopedia Italiana, Rome. Annotation copyright by Book News, Inc., Portland, OR
來源: Google Book
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