資料來源: Google Book
Lutheranism, anti-Judaism, and Bach's St. John Passion :with an annotated literal translation of the libretto
- 作者: Marissen, Michael.
- 其他作者: Bach, Johann Sebastian,
- 出版: New York : Oxford University Press 1998.
- 稽核項: 1 online resource (xii, 109 pages).
- 標題: Bible. , New Testament. Versions -- Luther. , OpérasLivrets. , PassionRole of Jews. , Oratorios Librettos. , Bach, Johann Sebastian (1685-1750). , Judaïsme. , Oratorios Livrets. , MUSIC Printed Music -- Piano-Vocal-Guitar. , Judaïsme , Johannes-Passion (Bach) , Printed MusicPiano-Vocal-Guitar. , Instruction & StudyVoice. , Johannespassion (Bach, Johann Sebastian) , Jesus Passion -- Role of Jews. , Lutheran Church. , RelationsÉglise luthérienne. , Librettos. , Judaïsme Relations -- Église luthérienne. , Église luthérienne , Judaism. , Interfaith relations. , Luthertum , Bach, Johann Sebastian, 1685-1750. , Jésus-Christ Passion -- Rôle des Juifs. , Lutheran Church , Oratorios , Judaism , Lutheran Church Relations -- Judaism. , Jesus Christ Passion -- Role of Jews. , Jesus Christ. , RelationsJudaïsme. , Bach, Johann Sebastian 1685-1750 , MUSIC , Electronic books. , RelationsLutheran Church. , Judaism Relations -- Lutheran Church. , Église luthérienne Judaïsme. , PassionRôle des Juifs. , Jewish role in the Passion of Jesus Christ. , Passion. , Bible. Versions -- Luther. , RelationsJudaism. , Anti-judaïsme. , Bach, Johann Sebastian, 1685-1750 , Jesus Christ , Lutheranisme. , Oratorios Opéras -- Livrets. , Jesus , Jésus-Christ Passion. , Bible Versions -- Luther. , Jésus-Christ , Église luthérienne Relations -- Judaïsme. , MUSIC Instruction & Study -- Voice. , Bach, Johann Sebastian , Antijudaismus , Bach, Johann Sebastian. , Bach, Johann Sebastian,
- ISBN: 0195344340 , 9780195344349
- ISBN: 019511471X , 9780195114713
- 試查全文@TNUA:
- 附註: Includes discography (pages 77), bibliographical references (p. 87-98) , and indexes. Issues of method -- Bach's duties -- Lutheranism and theories of atonement -- Following Jesus, according to the St. John Passion. Who is Jesus? ; Faith and discipleship ; Theology of the cross -- Lutheran concepts of Jews and Judaism. The Gospel of John ; Luther's polemics ; Luther and Hitler ; Luther on Jews as "Christ killers" -- Jew-hatred and the St. John Passion. Olearius and Brockes ; Musical repetition and symmetry ; Who crucified Jesus? -- Where now? -- Annotated literal translation fo the libretto -- Appendix 1 : Notes on anti-Judaism and Bach's other works -- Appendix 2 : Musical examples.
- 摘要: Bach's St. John Passion is surely one of the monuments of Western music, yet performances have become inevitably controversial. In large part, this is the result of the combination of powerful, highly emotional music coupled with a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day, and what does it mean today? Although the bibliographies on Bach and on Judaism have grown enormously since World War II, there has been very little work on the relationships between these two areas. This is hardly surprising; writers focusing on issues of anti-Semitism often lack musical training and are, in any event, interested in more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. And strangely, almost no scholarly attention has been given to the relationships between Lutheranism and Judaism as they affect the St. John Passion. Through a reappraisal of Bach's work and its contexts, Michael Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for more informed and sensitive discussions of this troubling work. , Consisting of a long interpretive essay, followed by an annotated literal translation of the libretto, a guide to recorded examples, and a detailed bibliography, this concise text provides the reader with the tools to assess the work on its own terms and in the appropriate contexts. The discussion centers first on the principal messages of the St. John Passion: Jesus' identity, his work, and how this affects the lives of his followers. Marissen goes on to suggest that fostering hostility toward Jews is not the subject or purpose of Bach's setting. For those who would reduce Bach's powerful work to its artistry, and for those listeners who find Bach's music deeply meaningful but may not have considered its attendant religious and cultural issues, as well as for those who assume the work essentially teaches contempt for Jews, Marissen aims to show that confronting the St. John Passion is more problematic than they think. The result is an ethically intelligent, carefully reasoned discussion of one of Western music's greatest works of art. This book is designed for both general readers and scholars.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=23647
- 系統號: 005289650
- 資料類型: 電子書
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- 引用網址: 複製連結
Bach's St. John Passion is surely one of the monuments of Western music, yet performances of it are inevitably controversial. In large part, this is because of the combination of the powerful and highly emotional music and a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day and what does it mean today? Although bibliographies on Bach and Judaism have grown enormously since World War II, there has been very little work on the relationship between the two areas. This is hardly surprising; Judaica scholars and culture critics focusing on issues of anti-Semitism commonly lack musical training and are, in any event, quite reasonably interested in even more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. Strangely, therefore, almost no scholarly attention has been given to relationships between Lutheranism and the religion of Judaism as they affect Bach's most controversial work, the St. John Passion. Through a reappraisal of Bach's work and its contexts, Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for a more informed and sensitive discussion of this troubling work. Consisting of a long interpretive essay, followed by an annotated literal translation of the libretto, a guide to recorded examples, and a detailed bibliography, this concise text provides the reader with the tools to assess the work on its own terms and in the appropriate context.
來源: Google Book
來源: Google Book
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