Film production theory
- 作者: Geuens, Jean Pierre.
- 出版: Albany, N.Y. : State University of New York Press ©2000.
- 稽核項: 1 online resource (ix, 308 pages).
- 叢書名: The SUNY series, cultural studies in cinema/video
- 標題: Motion pictures , PERFORMING ARTS , Film. , Philosophy. , Music, Dance, Drama & Film. , Motion pictures Production and direction. , Film & VideoReference. , Production and direction. , PERFORMING ARTS Film & Video -- Reference. , Electronic books. , Motion pictures Philosophy.
- ISBN: 0791492834 , 9780791492833
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 261-299) and index. Cinema: the state of the art -- Art/entertainment -- The film school -- Writing -- Staging -- Lighting -- The frame -- Sound -- Editing -- Envoi.
- 摘要: "Most serious film books during the last twenty years have focused on theoretical issues, film history, or film analyses, leaving production to the side. This text, however, appropriate for film production courses, fills that void, opening the production process to pertinent, argumentative notions and incorporating material from Heidegger, Merleau-Ponty, and Derrida, among others. Although Geuens covers screenwriting, lighting, staging, and framing, among other production issues, he avoids the strictly vocational or "professional" approach to film teaching currently applied to most production courses."--Print version book jacket.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=44143
- 系統號: 005289671
- 資料類型: 電子書
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- 引用網址: 複製連結
Most serious film books during the last twenty years have focused on theoretical issues, film history, or film analyses, leaving production to the side. This text, however, appropriate for film production courses, fills that void, opening the production process to pertinent, argumentative notions and incorporating material from Heidegger, Merleau-Ponty, and Derrida, among others. Although Geuens covers screenwriting, lighting, staging, and framing, among other production issues, he avoids the strictly vocational or "professional" approach to film teaching currently applied to most production courses. Geuens reevaluates what cinema could be, to revive its full powers and attend to the mystery of the creative process. To counter Hollywood's normative machinery, he suggests taking back from the professionals important notions they have arrogated for themselves but rarely act upon: artistry, passion, and engagement.
來源: Google Book
來源: Google Book
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