附註:Includes bibliographical references (pages 269-317) and index.
The Gush of the feminine: how can we read women's poetry of the Romantic period? / Isobel Armstrong -- Gendering the soul / Susan Wolfson -- Mary Shelley, Frankenstein, and the woman writer's fate / Stephen Behrendt -- De-romanticizing the subject: Maria Edgeworth's "The Bracelets," mythologies of origin, and the daughter's coming to writing / Mitzi Myers -- "We hoped the woman was going to appear": repression, desire, and gender in Anna Letitia Barbauld's early poems / William McCarthy -- Felicia Hemans and the effacement of woman / Anthony John Harding -- Resurrection of the fetish in Gradiva, Frankenstein, and Wuthering Heights / Judith Pike -- Gender, nationality, and textual authority in Lady Morgan's travel books / Jeanne Moskal -- Expanding the limits of feminine writing: the prose sketches of Sydney Owenson (Lady Morgan) and Helen Maria Williams / Richard C. Sha -- Janet Little and Robert Burns: the politics of the heart / Moira Ferguson -- "Out of the pale of social kindred cast": conflicted performance styles in Joanna Baillie's De Monfort / Catherine B. Burroughs -- The Gipsy is a Jewess: Harriett Abrams and theatrical romanticism / Susan Levin -- Mary Robinson and the literary marketplace / Judith Pascoe.
