附註:Includes bibliographical references and index.
Introduction / Andrew Horton and Stuart Y. McDougal -- Next of kin: Remakes and Hollywood -- Remakes and cultural studies / Robert Eberwein -- Algebraic figures: Recalculating the Hitchcock formula / Robert P. Kolker -- The director who knew too much: Hitchcock remakes himself / Stuart Y. McDougal -- Robin Hood: From Roosevelt to Reagan / Dan Georgakas -- "Once more, from the top": Musicals the second time around / Jerome Delamater -- The ethnic Oedipus: The jazz singer and its remakes / Krin Gabbard -- Raiders of the lost text: Remaking as contested homage in Always / Harvey R. Greenberg -- Distant relatives: Cross-cultural remakes -- The French remark: Breathless and cinematic citationality / David Wills -- The spring, defiled: Ingmar Bergman's Virgin spring and Wes Craven's Last house on the left / Michael Brashinsky -- Cinematic makeovers and cultural border crossings: Kusturica's Time of the gypsies and Coppola's Godfather and Godfather II / Andrew Horton -- Made in Hong Kong: Translation and transmutation / Patricia Aufderheide -- Modernity and postmaternity: High heels and Imitation of life / Lucy Fischer -- Feminist makeovers: The celluloid surgery of Valie Export and Su Friedrich / Chris Holmlund -- Nosferatu, or The phantom of the cinema / Lloyd Michaels -- How many Draculas does it take to change a lightbulb? / Ira Konigsberg -- Altered states: Transforming media -- The superhero with a thousand faces: Visual narratives on film and paper / Luca Somigli -- "Tonight your director is John Ford": The strange journey of Stagecoach from screen to radio / Peter Lehman -- M*A*S*H notes / Elisabeth Weis -- Afterword: Rethinking remakes / Leo Braudy.
