Chekhov's plays :an opening into eternity
- 作者: Gilman, Richard,
- 出版: New Haven, Conn. : Yale University Press ©1995.
- 稽核項: 1 online resource (xxii, 261 pages).
- 標題: Drama , Chekhov, Anton Pavlovich, 1860-1904 Critique et interprétation. , Criticism and interpretation. , Continental European. , Critique et interprétation. , Russian drama , DRAMA , Čechov, Anton Pavlovič , Electronic books. , Toneelstukken. , Chekhov, Anton Pavlovich, 1860-1904. , Čechov, Anton P. , Criticism, interpretation, etc. , Čechov, Anton Pavlovič 1860-1904 , Chekhov, Anton Pavlovich, 1860-1904 Criticism and interpretation. , Chekhov, Anton Pavlovich, , DRAMA Continental European.
- ISBN: 0300064616 , 9780300064612
- ISBN: 0300072562 , 9780300072563
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 245-254) and index. Chekhov : truth, moral reality, imagination -- Ivanov : prologue to a revolution -- The seagull : art and love, love and art -- Uncle Vanya, or How it is -- Three sisters, or I can't go on, I'll go on -- The cherry orchard, or "an aperture into eternity."
- 摘要: "Richard Gilman examines each of Chekhov's full-length plays, showing how they relate to each other, to Chekhov's short stories, and to his life. He also places the plays in the context of Russian and European drama and the larger culture of the period. Gilman interweaves biographical narrative with textual commentary and with a discussion of stage-craft and dramaturg - Chekhov's techniques for influencing viewers, the scenic framing of the action, and issues of genre and temporal structuring. Although previous critics of Chekhov have tended to view him as an essentially social dramatist or as an observer of the smaller aspects of existence, Gilman asserts that Chekhov was far more of an innovative playwright, a revolutionary, than has been seen."--Jacket
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=53022
- 系統號: 005293580
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Richard Gilman examines each of Chekhov's full-length plays, showing how they relate to each other, to Chekhov's short stories, and to his life. He also places the plays in the context of Russian and European drama and the larger culture of the period. Gilman interweaves biographical narrative with textual commentary and with a discussion of stage-craft and dramaturg - Chekhov's techniques for influencing viewers, the scenic framing of the action, and issues of genre and temporal structuring. Although previous critics of Chekhov have tended to view him as an essentially social dramatist or as an observer of the smaller aspects of existence, Gilman asserts that Chekhov was far more of an innovative playwright, a revolutionary, than has been seen.
來源: Google Book
來源: Google Book
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