附註:Includes bibliographical references (pages 249-259) and index.
Introduction: Exact imagination and late work -- Subjective aesthetic experience and its historical trajectory -- Language: its murmurings, its darkness and its silver rib -- Configurational form in the aesthetic essay and the enigma of 'aesthetic' -- 'Aesthetic theory's' mimesis of Walter Benjamin -- Adorno and Benjamin, photography and the aura.
摘要:In Exact Imagination, Late Work, Shierry Weber Nicholsen begins the process of appropriating Adorno through the centrality of the aesthetic dimension.
