Structures of desire :British cinema, 1939-1955
- 作者: Williams, Tony,
- 出版: Albany, N.Y. : State University of New York Press ©2000.
- 稽核項: 1 online resource (xi, 213 pages) :illustrations.
- 叢書名: The SUNY series, cultural studies in cinema/video
- 標題: Motion pictures , PERFORMING ARTS , Filmkunst. , Motion pictures Great Britain -- History. , Cinéma Grande-Bretagne -- Histoire. , Film & VideoReference. , History. , Motion pictures. , Histoire. , Electronic books. , Great Britain. , Cinéma , PERFORMING ARTS Film & Video -- Reference.
- ISBN: 0791492281 , 9780791492284
- ISBN: 0791446433 , 9780791446430 , 0791446441 , 9780791446447
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 197-204) and index.
- 摘要: "This book examines representations of desire in British cinema during a period of turbulent change, 1940-1955. In addition to investigating male-female desire in status quo "realist" films and in various "anti-realist" movements represented by Gainsborough Melodrama and the work of Michael Powell and Emeric Pressburger, the book also explores the various factors that affected utopian aspirations for a better postwar world and how these desires eventually became restrained by the dominant forces of conservative ideology. , Structures of Desire provides new perspectives on previously recognized film movements such as Ealing Comedy and Gainsborough Melodrama while also offering analyses of interesting but neglected films such as Love on the Dole (1941), Perfect Strangers (1945), They Made Me a Fugitive (1947), The Bad Lord Byron (1949), and Madeleine (1950)."--Jacket.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=47754
- 系統號: 005294967
- 資料類型: 電子書
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- 引用網址: 複製連結
This book examines representations of desire in British cinema during a period of turbulent change. In addition to investigating male-female desire in status quo "realist" films and in various "anti-realist" movements represented by Gainsborough Melodrama and the work of Michael Powell and Emeric Pressburger, the book also explores the various factors that affected utopian aspirations for a better postwar world and how these desires eventually became restrained by the dominant forces of conservative ideology. Structures of Desire provides new perspectives on previously recognized film movements such as Ealing Comedy and Gainsborough Melodrama while also offering analyses of interesting but neglected films such as Love on the Dole (1941), Perfect Strangers (1945), They Made Me a Fugitive (1947), The Bad Lord Byron (1949), and Madeleine (1950).
來源: Google Book
來源: Google Book
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