資料來源: Google Book
Dangerous knowledge :the JFK assassination in art and film
- 作者: Simon, Art.
- 出版: Philadelphia : Temple University Press 1996.
- 稽核項: 1 online resource (xii, 265 pages, 8 unnumbered pages of plates) :illustrations (some color).
- 叢書名: Culture and the moving image
- 標題: Arts , Assassination , 1900-1999 , Performance. , Kennedy, John F. (John Fitzgerald), 1917-1963 Assassination -- Pictorial works. , Reference. , ART Reference. , ART Performance. , Massamedia. , Assassination. , Arts United States -- 20th century. , Kennedy, John F. (John Fitzgerald), 1917-1963 , Film. , Arts, American. , Moorden. , Electronic books. , Kennedy, John F. , Arts, American , ART , USA. , Pictorial works. , Attentat , Arts, American 20th century. , Video , Beeldvorming. , Kunst
- ISBN: 1566393795 , 9781566393799
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 223-257) and index. Acknowledgments; Introduction: The Assassination Debates; Part One; 1. The Zapruder Film; 2. The Body; 3. Images of Oswald; Part Two; 4. The Warhol Silkscreens; 5. The Pop Camp; 6. Bruce Conner; 7. Assassination Video; Part Three; 8. Executive Action; 9. The Parallax View/Winter Kills/Blow Out; 10. JFK; Epilogue; Notes; Index.
- 摘要: An intriguing work of cultural criticism on the contemporary meaning and influence of images from the JFK assassination.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=50450
- 系統號: 005295648
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Association of American University Presses Book Jacket Award, 1996 "Beginning with a description of a poster for a punk band and ending with a critique of the movie JFK, this work marshals an impressive array of cultural information in attempting to provide an overall history of the genre. Simon closely examines images and films, relating them to the continuing struggle over the authoring and interpretation of the story of Kennedy's death." --Library Journal The assassination of John F. Kennedy provoked intense public debates and focused the world's attention on the recorded details of the event in still and moving images. Intense scrutiny of the testimony and images became a national obsession. Dangerous Knowledge argues that the very currents that powered the debates also prompted a crisis in interpretation that profoundly affected American culture. From 1963 to the present day, amateur sleuths have proposed compelling theories of who was responsible for Kennedy's death and why. In the process they entered into an ongoing struggle centered in questions of authority: Who has access to evidence and the power to interpret history? What is the relation of photographs and films to the writing of history? To show how this struggle literally changed history and figured in the avant-garde's artistic production, Art Simon considers a wide range of cultural work shaped by the assassination. Simon reveals the influence of the assassination theorists on commercial films such as JFK and Parallax View and shows how the images that blanketed the media resurfaced in Andy Warhol's silk screens, work and underground film of Bruce Conner, and other 1960s artists where they become vehicles for challenging the truth value of photographs or the public's endless fascination with celebrities. "This history of the representation of the JFK assassination makes a terrific contribution to film studies and indeed to cultural studies generally. Moving with wit and erudition across political history, avant-garde film, serigraphy, journalism, and mass-market film, Simon transcends the banalities of the high culture/low culture binary to produce a study of exemplary range and insight." --David E. James, School of Cinema-Television, University of Southern California
來源: Google Book
來源: Google Book
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