附註:Includes bibliographical references and index.
The Romantic landscape in early nineteenth-century Russian art and literature / James West -- The Country house as setting and symbol in nineteenth-century literature and art / Priscilla Reynolds Roosevelt -- "Montage" in Gogol's Dead souls : the view from the bachelor's carriage / Gary Cox -- The Optics of narration : visual composition in Crime and punishment / Roger Anderson -- Chekhov's use of impressionism in "The House with the mansard" / Paul Debreczeny -- The Composed vision of Valentin Serov / Alison Hilton -- The Modernist poetics of grief in the wartime works of Tsvetaeva, Filonov, and Kollwitz / Antonina Filonov Gove -- Ironic "vision" as an aesthetics of displaced truth in M. Bulgakov's Master and Margarita / Juliette R. Stapanian-Apkarian.
